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info

– biography – [2017]

desertrombone
Hilary Jeffery is a self-proclaimed ‘desert trombonist’ and composer, born in Surbiton, England in 1971. A central and sustaining influence on his music is a sense of ‘silent space’, which he first experienced in the Sahara Desert in the 1990s. Hilary aims to share this experience, creating inner-spaces for listeners and fellow musicians to explore via the medium of his ensemble Lysn. He studied at Dartington College of Arts, University of York, European Dance Development Centre Arnhem, Netherlands Royal Conservatory, and has worked for more than twenty years as a musician playing in many different styles and areas of music including rock, techno, electronica, jazz, pop, afrobeat, contemporary classical and free improvisation. Groups he has played with between 1994 and 2016 include: zeitkratzer, CC Hennix and The Chora(s)san Time-Court Mirage, Zinc & Copper, Tonaliens, The Barton Workshop, Mir8, Jimi Tenor Big Band, Paul Dunmall Octet, Sand and Germ. Hilary’s principal teacher and mentor for trombone playing is James Fulkerson, with whom he studied between 1998 and 2000. In 2013 he started a study of Dhrupad with Amelia Cuni, aiming to apply techniques of this Indian classical music tradition to the trombone. He has received composition commissions for Slagwerk Den Haag, GRM Acousmonium, David Kweksilber Big Band, Apa Ini and Lysn. He has been invited for artistic residences such as at Recollets in Paris (2012), won composition prizes such as the Henriette Bosmans Prize (Netherlands, 2009) and appears in many different recordings on various labels including Aquarellist, Col Legno, FMR, Dilemma, Important Records, Mikroton, New World Records, Soul Jazz, Sloow Tapes, Sub Rosa, Zeitkratzer Records and Karl Records.

– current projects –

LYSN

lysnface002
the ‘minimal psychedelic’ ensemble LYSN play long form improvisations using drones and repetitive rhythms to induce hypnotic states

in November 2015 LYSN travelled to Jupiter via Murmansk Spaceport

hiljef.com/news/band/lysn
soundcloud.com/lysn

ZINC & COPPER

zincandcopper_02
microtonal brass trio

with Robin Hayward and Elena Kakaliagou

links:
soundcloud.com/zinccopper
zincandcopper.org

TONALIENS

tonaliens_werner_tv
exploring the inner-dimensions and outer-limits of just intonation

with Amelia Cuni, Werner Durand, Robin Hayward and Ralf Meinz

links:
hiljef.com/news/band/tonaliens
soundcloud.com/berlintune
tuningvine.com

SOLES COBALT

ig_bw
“tapping into signals from beyond, broadcasting into haunted cinemas…”

links:
hiljef.com/news/band/solescobalt
soundcloud.com/inconsolableghost

INTROSPECTIVE LANGUAGE MUSIC

territory_web
a project combining elements of language and music for internal navigation

concise instructions with text + image + sound enable introspective states

wide research is carried out and distilled into a series of concise instructions for solo performers

in 2015 Hilary Jeffery created a special Linguistic Cabaret for the Zagreb Showroom of Contemporary Sound in Zagreb
(Izlog Suvremenog Zvuka) – pictured below

linguistic_cabaret
links:
linguisticmusic.com
izlog.sczg.hr

– additional info –

orpheusblue1
Over the past twenty years Hilary has proven his ability to cross between different styles and areas of music including rock, techno, electronica, jazz, pop, afrobeat, contemporary classical and free improvisation. Groups he has played with between 1994 and 2014 include: Germ, Sand, Meta-Orchestra, Kreepa, Paul Dunmall Octet, Band of Holy Joy, Apa Ini, The Barton Workshop, Jimi Tenor Big Band, Jimi Tenor + Kabu Kabu, Lysn, The Mount Fuji Doomjazz Corporation, Zeitkratzer, CC Hennix and The Chora(s)san Time-Court Mirage, Zinc & Copper, Polyversal Souls.

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Various trombones have travelled alongside him to many inspiring places and he has performed in diverse settings including theatres, jazz clubs, cathedrals, night clubs, festivals, dance studios, bars, cinemas, streets and mountains. Some favourite highlights include: a seven-hour Anthroposophic theatre production at Rudolf Steiner’s Goetheanum in Switzerland, late night appearances at underground techno clubs in the UK and Berlin, at the Tokyo New National Theatre with Sand in Saburo Teshigawara’s epic production “Green”, as a trombone-dervish in a disused mine in Belgium, for Tibetan Lama’s in the Himalayan town Kaza on the occasion of the Dalai Lama’s birthday, for long drone performances with Catherine Christer Hennix in Amsterdam, Berlin and New York, at Arles amplitheatre and Havana Parque de Trillo for performances of work by Anri Sala, in remote North Ghana playing for chiefs and villagers with Polyversal Souls featuring Guy One, various haunted sites with Soles Cobalt, a trip to Jupiter from Murmansk Spaceport, and an encounter with a mermaid on the Norwegian island Skomvaer.

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He has toured regularly and performed at international festivals including Maerz Musik, Borealis Festival, Musique Action, Konfrontationen Nickelsdorf, Club Transmediale, Sonic Acts, Kontraste Festival, Wien Modern, Berlin Jazz Festival, Worldtronics, Ultima Oslo and New York, Saalfelden Jazz Festival, Brno International Music Festival, Wels Music Unlimited, Montreux Jazz, North Sea Jazz and Victoriaville.

fujitallin
As an improviser he has played with: Tony Buck, Audrey Chen, Hayden Chisholm, Amelia Cuni, Werner Dafeldecker, Hugh Davies, Tobias Delius, Axel Dörner, Benjamin Duboc, Paul Dunmall, Werner Durand, Marco Eneidi, Reinhold Friedl, Wilbert de Joode, Keiji Haino, Robin Hayward, Tristan Honsinger, Shabaka Hutchings, Pamelia Stickney, Louise Landes Levi, Tony Levin, Magda Mayas, Louis Moholo, Palle Mikkelborg, William Parker, Felicity Provan, Paul Rogers, Terje Rypdal, Elliott Sharp, Alexander Von Schlippenbach, Paul Schwingenschlögl, Clayton Thomas, Keith Tippett, Frances-Marie Uitti, Andre Vida and David Watson.

beachbone
As an interpreter of composed music Hilary has played a wide variety of pieces by many composers including Louis Andriessen, William Bennett, John Cage, Philip Corner, Morton Feldman, James Fulkerson, Robin Hayward, Catherine Christer Hennix, Alvin Lucier, Daniel Matej, Simon Martin, Phill Niblock, Giacinto Scelsi, Elliott Sharp, James Tenney, Øyvind Torvund and Christian Wolff.

timespell2
He has received composition commissions for Slagwerk Den Haag, GRM Acousmonium, David Kweksilber Big Band, Apa Ini and Lysn. He has been invited for artistic residences such as at Recollets in Paris (2012), won composition prizes such as the Henriette Bosmans Prize (Netherlands, 2009) and appears in many different recordings on various labels including Aquarellist, Col Legno, FMR, Dilemma, Important Records, Mikroton, New World Records, Soul Jazz, Sloow Tapes, Sub Rosa, Zeitkratzer Records and Karl Records.

hil_2015
He has lived in London (1990s – early 2000s) and Amsterdam (2002 – 2009). In Amsterdam he established a club night called AUXXX (amsterdam undercurrent xxx). Since 2009 he is based in Berlin where “AUXXX: Alchemistic Cabaret” continues to offer irregular transformational events…

auxxx.blogspot.com

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